Loves Garden in Midsummer Night’s Dream - 1048 Words

Flower colors must coordinate, lawns must be mowed, weeds must be pulled, trees must be trimmed, and bushes must be pruned. Human’s dominion over nature is displayed in a simple drive down the street. However, humanity rarely faces or recognizes the implications of this reign over nature. This need for control is accepted and even respected. In William Shakespeare’s A Midsummer Night’s Dream, fairies take an extensive control of nature which begins to reflect their attempts to express love as they deal with the love amongst themselves. The abundance of nature in the play presents a circumstance of controlling love. In A Midsummer Night’s Dream, Shakespeare manipulates nature imagery to portray control of nature among the fairies and†¦show more content†¦As Oberon and Robin Goodfellow discuss the steps needed to dismantle the conflict, the two differ in their opinions of their role in nature: Robin’s fear of the night contributes to a pessimistic outlook on nature that Oberon later refutes. As the night is wiping quickly from the sky, Robin’s plea for action creates a sense of urgent doom and panic in the rising sun. The chariot of night is drawn across the sky by dragons as Robin concludes that all forbidding mischief and activity must be done with haste. Night is presented as a foe not to be harmonized with, but to be competed against. Shakespeare further builds the mischief of the night and addresses those exiled from light, those who died unworthy deaths of suicide. The shameful ghosts characterize the night as disarrayed and chaotic, returning to their undignified and wormy burial plots in apprehension of approaching daylight. The image of the black-browed night as eerie serves as a threat to the order of life and reflects nature as an antagonist, outside of the fairies’ control. However, Shakespeare juxtaposes this panicked response to nature with Oberon’s confident and calm relationship with the light of day. The difference in response comes in the different levels of power. As king, Oberon is secure enough in his supremacy to interact with Morning and negate Robin’s metaphorical fleeing from daylight. The image of a forester tromping through groves, infatuated with theShow MoreRelatedThe Man Called Peter Brook1009 Words   |  4 Pagescreated his own official theatre credentials with the Royal Shakespeare Company Production. â€Å"He has directed many Shakespeare productions for the Royal Shakespeare Company, including Loves Labours Lost (1946), Measure for Measure (1950), Titus Andronicus (1955), King Lear (1962) and A Midsummer Nights Dream (1970), (Biography).† Also, in 1971, while he was in Paris, he founded the International Centre for Theatre Research (C.I.R.T). This then became the International Center for TheatreRead MoreWi lliam Shakespeare s The Elizabethan Era1548 Words   |  7 Pagesindividuals in an arranged marriage would have likely been. A similar theme of arranged marriage is presented in A Midsummer Night’s Dream. 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